Archive for the ‘Media Arts’ Category

Give me wine, a little music…

Friday, November 2nd, 2012

Hundreds of Canadians banded together - ok we couldn’t help ourselves with “banded” – to create a digital musical mosaic that is not only fun to play with, it actually helped Canadian musicians keep on playing.

‘Play’ is a great word to add to the brand persona of the client we did this for – [yellow tail] wine leaves the snobbery to others and instead has chosen the path of being the accessible beverage for the spontaneous good times of your life. The disruption that has created a whole new space for [yellow tail] is in recognizing that really, most of us just want to enjoy a good glass of wine and to share it with our friends. Wine culture makes a lot of us edgy, and takes some of the fun out it – so [yellow tail] focused on that unpretentious side and is the easygoing, social brand that you can enjoy on your terms, your way.

It’s a great persona to work with – so we came up with an idea that would hit all the notes (sorry!) that say “[yellow tail]”: Our idea was social; fun; share-able as a great bottle of wine; and a bit silly yet also exactly the kind of thing we do when we’re happy.

We created the [yellow tail] Wine Orchestra. We called on Canadians to upload on to wineorchestra.com a webcam video of themselves clinking, dinging, tapping and rubbing their wine glasses and [yellow tail] bottles to create a rhythm, a sound, a bit of music all their own. Each entry within the Orchestra is added as a tile on a virtual wall of sound – no mean feat technically, but loads of fun to play with – and then we made sure that by highlighting the tiles and moving them around you can blend sounds and beats to create a sort of a symphony. You can take a break in your otherwise hectic and tune-free day to become an ubercool DJ, or conductor, or creator of your own special sound track.

We were inspired by the music of the street, when you see a guy start to drum on a couple of buckets and suddenly a crowd appears spontaneously, all caught in the unavoidable impulse to stop and enjoy the moment. That celebration is exactly what [yellow tail] is all about.

We took the Wine Orchestra a step further. We gave all that sound to composer Kutiman to use as raw material, and he has created an orchestral piece entitled The Wine Orchestra Players — where he sampled from those hundreds of video uploads of Canadians having fun with their favourite [yellow tail] bottle or wine glass as instruments.

For anyone who doesn’t know him, Kutiman is the Israel-born musician is known for his innovative 2009 release ThruYOU, an online music video project mixed from samples of YouTube videos. ThruYOU received more than 10 million views in the first weeks of launch and was named one of the best inventions of the year by TIME magazine.

The Kutiman-created holiday composition and video will be released on wineorchestra.com this week, supported by a multi-media campaign including outdoor boards, rich media online banners, print advertising and point of sale material.

Kutiman’s piece is a great gift from [yellow tail] to you, just in time for the holiday season.

The generosity runs a little deeper, too. For each submission from the May launch until September 30, [yellow tail] donated $1 to the Unison Benevolent Fund which helps musicians keep playing by offering financial assistance to anyone in the industry facing hard times.  Great Big Sea front man Alan Doyle joined the campaign to help support other Canadian musicians through Unison, and his own video is included among those created by [yellow tail] fans. Both Doyle and [yellow tail] were united in the desire to help musicians continue to colour our lives.

So go colour yours! Check out wineorchestra.com and put some ‘play’ in your day.

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Nissan Canada Mobile Virtual YouTube Showroom Now Available

Tuesday, October 30th, 2012

Nissan Altima in 360 degree view on Nissan Canada Mobile Virtual YouTube Showroom

I am so proud of our integrated team at TBWA\Toronto\DAN. After a lot of extremely hard work the efforts have paid off and I can talk openly about the amazing Nissan Canada Mobile Virtual YouTube Showroom. Google has now made it possible to host custom gadgets on YouTube’s mobile site and we have launched one of the first and definitely most comprehensive experiences.

By building on the deliberate modular architecture of the Nissan Showroom – already available on the non-mobile YouTube site and Facebook – we were able to deliver a similar experience tailored for mobile users. Like its desktop big brother the YouTube Mobile Showroom is 100% pure web using HTML5, CSS3 and JavaScript. Because the Mobile Showroom does not use Flash or any other proprietary plugins it runs extremely well on iOS devices including both iPhone and iPad. It also runs very well on Android, YouTube’s other supported platform for mobile channels.

Achieving this was no simple task as mobile devices always present technical challenges due to their slower CPUs and lower memory compared to their laptop and desktop brethren. A non-trivial effort was expended to ensure performance on smartphones and tablets exceeded everyone’s expectations.

One of the biggest obstacles we had to overcome was delivering 360 degree views of 8 cars in 8 colours each. That’s a lot of data to send to a little phone and it exceeds the small cache size of many devices which eliminated pre-loading as a strategy. Numerous other creative solution approaches did not meet our performance requirements:

  • sending individual PNG frames required so many HTTP connections that the device all but imploded
  • creating one 360 per car and colourizing at runtime with canvas did not produce realistic enough results
  • placing all frames into a CSS sprite reduced the HTTP connections but the sprite itself was too big to load
  • loading the 360 as an MP4 video wouldn’t have worked since iPhone insists on running videos full screen in the built-in QuickTime player
  • reducing the number of frames was too choppy
  • converting to lossy and lower-quality JPG was not satisfactory for our discerning creative directors
  • WebGL support wasn’t strong enough
  • web workers didn’t have access to the DOM
  • data URIs were even larger than the compressed PNGs.

Our solution was actually quite simple in the end blending CSS sprites and animated PNGs. We found that optimal performance was achieved by creating 4 individual sprites each with enough frames to render 90 degrees of view. The number of HTTP connections was significantly reduced without creating any single image whose size choked at download.

There were numerous other technical challenges to overcome and they included: Simulating a native-like experience in multiple levels of iframes across domains inside YouTube while preserving multi-directional gestures and events; Scrolling the parent frame into view while simultaneously having no access or control of the parent frame.

Jake Edur, our lead software engineer on this project, had to dig deep into his bag of tricks as well as invent some new ones to achieve what many experts said couldn’t be done. Some of the technical highlights include:

  • Building a reusable, modular and event driven architecture (this means that the Mobile Showroom isn’t limited to living on just YouTube)
  • Creating a hybrid CSS sprite/PNG sequence animation framework that plays frames out of multiple sequential sprites
  • Using hardware accelerated 3D CSS
  • Custom gestures and events to work around nested cross-domain iframes

The Nissan YouTube Mobile Showroom is live. To view it simply navigate to http://www.youtube.com/nissancanada from your iOS or Android device.

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Texting in Canada

Tuesday, October 30th, 2012

Sitting next to her wood burning stove on a cool fall evening, Jennifer carefully dipped her plume into the inkwell, gently blotting out the excess ink. She pondered her feelings before applying the ink to the page. After completing her message, she blew the ink dry and then tucked the paper into an envelope and addressed it, ensuring she had all the correct details. The next morning she would hurry to the post office and post the letter to her good friend, Amanda.

Weeks later, while tending to the washing, Amanda saw the postman coming up the drive. She hurried to meet him and was excited to find that he had a letter for her. The return address showed that it had come from her very best friend, Jennifer. She opened it carefully as she walked back up the drive, excited to hear the news from Jennifer. Unfolding the paper, she examined the beautifully written words:

“Hey! How’s life? We tots gotta hang soon! luv J ;)

The history of messages between friends has a long and storied past. And while the above exchange probably never actually happened, you can imagine just how difficult – and pointless – it would have been in days of yore to take the time to send but 140 characters in a correspondence.

Fast-forward to 2012, and see how much easier it is for Jennifer and Amanda to make plans!

What does this mean for marketing? There are two things to keep in mind: 1) SMS offers the largest possible reach in mobile marketing, and 2) SMS is extremely personal. There is, of course, a glaring contradiction in these two statements. And that is that mass communications and niche communications rarely if ever play nicely together. In this case, though, there is an important intersection.

Because SMS is available to such a huge segment of the Canadian population, the chances of your target being accessible by SMS is very good. So, the key to them being accepting of a text message from you is a strong bond with your brand. Essentially, they need to love you. If not, they may sign up for a contest, but then remove themselves as soon as the promotion ends. For an ongoing conversation, they need to see you as a friend. If you have this status as a brand, then a text message now and then will be welcomed by your audience.

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Gold at Digital Marketing Awards

Thursday, November 3rd, 2011

Last night we won Gold at the Digital Marketing awards for our Accessible Media documentary “Jeff’s Day” in the Online Video category. A great award for great work!

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Hyper Island Playground at TBWA\Toronto

Thursday, October 27th, 2011

For those that don’t know, Hyper Island is a digital school of sorts that offers master classes that are aimed at executives, project managers, account managers, creatives and strategists and consists of 3–4 days of advanced professional training that lets you and your company take the next step within digital.

Tonight, TBWA\Toronto had the absolute pleasure of hosting Hyper Island’s first ever playground in Toronto. The playground is a series of interactive gatherings designed to bring creative minds together. Attendees are hand picked to create a unique exchange of new ideas and insights on a common theme.  The night was extraordinary and we had the chance to discuss the future of the world and take a step back and look at our industry as a whole. People came from a wide variety of backgrounds and disciplines so the ideas were exciting and fresh. A wonderful opportunity for TBWA\Toronto and Hyper Island. A big thank-you goes to Trevor B. and Judith!

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Room 13 Harbourfront Centre Auction/Gala

Thursday, October 27th, 2011

Saturday Oct 22, 2011

A few of us had the pleasure of attending the Room 13 Harbourfront Centre Fundraiser Gala for Room 13 and the Centre. The night was filled with colourful politicians such as Olivia Chow and Adam Vaughan. We got a chance to really feel what it was like to support a thriving community right here in our own backyard. Everyday TBWA\Toronto has the unique opportunity to influence the kids at Room 13 and to really benefit from a true partnership with them. It was a great time for a great cause.

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The Power of Ambiguity

Thursday, January 6th, 2011

A famous example of ambiguity in art is Leonardo Da Vinci’s portrait of Mona Lisa. Da Vinci used a technique called sfumato to blur the edges of the subject’s eyes and corners of her mouth to create an effect which leaves that enigmatic smile open to interpretation: is she blissful or melancholy or smugly mocking us? That is ambiguity.

The world of business is a world of certainty. Numbers, measurement and exactitude form the Holy Trinity of commerce.

But what of our business, the business of brand ideas and media communications, which despite what the scientists in our midst will tell you, is largely, chiefly, irrevocably an art?

Of course, our art is applied in the service of business, to be sure. But all great art uses a fundamental quality to create intrigue, the very thing that piques our interest, holds our attention and compels us to find out more: that quality is called ambiguity. This is as true in a good advertisement as it is in good cinema, painting, literature or poetry.

Ambiguity is what allows art to be interpreted in more than one way; it allows for the consumer to bring multiple perceptions to the experience. It is what creates enough mystery to pull us in and to stay with the piece. Ambiguity is, in effect, the antithesis of the certainty of science, even though there is an entire strain of the most precise science – mathematics – devoted to explaining ambiguity in a rational way.

Ambiguity is not something that can be quantified or measured. That’s a very scary thing for business people. The thing that makes a lot of art interesting flies in the face of the rigor that makes business science. Therein lies the rub between the age-old and uneasy alliance between these strange bedfellows of artists and number-crunchers.

This is no reason to despair. The left and right brainers of business need each other and there are plenty of examples of us working in harmony to drive significant results in the marketplace.

In the Media Arts ambiguity is often what gets the sales message noticed. If a brand’s message is not noticed everything else is lost.

Here’s the thing: ambiguity is no excuse for vagueness. They are not the same. All communications in the Media Arts need to be simple and clear, and it is our responsibility as communicators to ensure that our content is understood by whoever is consuming or interacting with it.

Ambiguity, and its accessories of metaphor, trompe l’oeil, irony, double entendre, black humour and the like, is a tool artists use to get something noticed and paid attention to.

You can take that to the bank.

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“Vessel”-Anaglyph Video

Sunday, October 3rd, 2010

This video is directed and produced by Bison. The technique used is surreal. Here’s how they did it:

BISON: “We’d been looking into an old 3D technique called “Anaglyph”, which is the familiar red and cyan version of 3d that you used to get on the back of cereal boxes. The more we looked at various images that used this technique, the more we fell in love with the colours and decided that they should drive the aesthetic of the piece. In particular, we were intrigued as to what might happen if the two images were from drastically different sources.

“The song is full of light and shade; with euphoric melodies and skipping glitchy beats. It seemed to us that themes of ‘duality’ ran through both the song and our visual idea.

“We took those themes to our stylist, Justine Josephs who, along with our make-up artist Sally Marshall, created two opposing looks for our dancer, Claire Meehan. We spent a single day shooting in a South East London studio with Chris Nunn behind the camera and lights.

“Finally came the edit and post-production process: We locked ourselves in the studio for 2 weeks working with After Effects.
The process was pretty organic; we spent a week or so playing with the footage, developing different ideas and techniques, and then spent a further week moulding the disparate pieces into a solid video that ebbed and flowed in the right places.”

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FirstOntario Credit Union Wins

Friday, September 10th, 2010

Congratulations to TBWA\TORONTO client, FirstOntario Credit Union, which won the coveted 2010 Rookie of the Year award for its Extra Safe campaign. The Credit Union Executives Society gives the award annually for “fantastic, eye-catching marketing materials that warranted recognition for their outstanding creativity.”

Our client’s haul includes:

  • “Rookie of the Year — “Extra Safe” Media Arts Campaign
  • Image Enhancement — 1st Place for “Extra Safe”
  • Innovation — 2nd Place for “Service Chat” program
  • Membership Kits — 2nd Place for New Member Welcome Program
  • Humour — Award of Merit for “Lionel Loveless”

As you’ll see in the following clip, the judges were impressed by the campaign’s “unique ideas for getting the message out.” Which is tremendous recognition of the agency’s, and client’s, desire to disrupt conventional out of home programs with an engaging, “makes you stop and look” Media Arts campaign.

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